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Artist's
statement
Early
work
Exhibitions
Public
commissions
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EXHIBITIONS
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THE
STONE OF FOLLY
Character sculptures
September
3 to 29, 2002
Edward Day Gallery
Toronto Canada
Characters
and props from
the animated short film
The
Stone of Folly
Photos
from the opening
Article
published in The Toronto Star
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Clockwise
from top left:
Patient
in wheelchair, 2002,
mixed media
Suspended
patient , 2002, mixed media
Orderly
pushing patient, 2002, mixed media
Nurse
with skull cracker, 2002, mixed media
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Origin
of the Universe, 2000, mixed media
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THE
SALON SHOW
November
1 to 20, 2000
John Steinberg & Associates
Toronto Canada
"Alastair Dicksons art is in his mysterious sense of
knowing just how far to push his black sense of humour, his sense
of absurdity, as he cleverly combines found objects into creatures
that have a startling effect on the funny bone. His good proportions
and sense of how well his materials interact come from a sculptural
and cabinet-making background. His genius delights the eye and shocks
the system."
Barbara Klunder, artist
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Topdog,
underdog and the search for balance (detail), 2001, mixed
media, 19x13x9"
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Alien
meditation, 2000, mixed media, 14x9x10"
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Mind
sperming, 2000,
mixed media, 14x9x8.5"
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Daydreamer,
2000, mixed media, 14x13x9"
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HEAD
GAMES
March 4 to 31, 2000
Jet Fuel Café
Toronto Canada
The
Jet Fuel Café, which serves the best coffee in Toronto, also
functions as an alternative gallery space, with shows changing every
month. It's a great hangout for artists, writers, bike couriers
and media types.
During
my exhibition, the piece on the right provoked an interesting reaction
from a customer's dog. It lunged at the piece, barking furiously.
I was greatly pleased by this demonstration of non-human art criticism.
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Bad
Vibe Barnyard, 1997
Mixed media
21.5 x 13.5 x 8.25" |
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Dead
Peoples Society, 1997
Mixed media
23 x 14 x 7.5" |
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THE
LOST MENAGERIE
January 4 to 31, 1998
The Rectory Gallery
Toronto Island, Toronto, Canada
This
exhibition marked the beginning of my interest in working in boxes.
The interior spaces are unadorned to allow the various sculptural
elements to interact more freely with each other.
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Menagerie
à trois, 1997
Mixed media
14.5 x 17 x 9" |
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Ritual
Object, 1996
Mixed media, 30 x 7.75 x 3.25" |
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It
Could Happen to You, 1996
Mixed media, 30 x 10.5 x 3" |
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The
Butler Did It, 1996
Mixed media,
10,5 x 19.5 x 3" |
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THE
ARCHEOLOGY
OF SHAPE
November 1 to 15, 1996
The Coningsby Gallery
London England
Imagine an archeological dig of an ancient Martian toolshed. An
object is unearthed. Its function is a mystery. You yield to its
power, creating bizarre scenarios in which it is the star.
In this exhibit, sculptor Alastair Dickson explores the imaginative
potential of even the most ordinary shapes and objects. Pieces range
from the whimsical to the austere, revealing layers and processes
of creation and evoking a spectrum of emotions. His work ultimately
exposes the dark and frightening underside as well as the
humour of the everyday.The ordinary objects around you will
never seem the same again.
Dickson, a sculptor born in Scotland and now living in Canada, works
in bronze, wood, paint, wax and found objects.
TOP
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Lost
in the Monkey House, 1996, Mixed media,
13 x 14 x 7" |
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Untitled,
1990, bronze, 30x10x12"
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